Jane
Waterous prints has a vastly established sense of restraint using
just enough imagery to evoke the sense of the found object with which
she has chosen to work. Jane Waterous art touches upon the thought of
objects with which we engage on daily basis but do not pay much
attention to or those which we might keep by us as mementos or
keepsakes.
JaneWaterous arts collect and record the natural and man-made objects
using blind embossing techniques. This method helps in capturing the
properties of the object which are too subtle to capture in a
photograph. There are simple mono prints printed from the back of a
copper plate whilst shadowy remnants from the Wayfaring series
resurface beneath the new images for the Quiet Archive.
Jane
Waterous is also touched by the tokens and keepsakes kept at the
Foundling Museum in London. These are the objects that mothers have
left with their babies in order to identify them in the hopes that
the children might be returned to them in a better future. These
tokens are drawn with a silverpoint on paper printed with soft
Gamelin ink. The silver traces intensify with age.
Jane
Waterous photographs of Speedwell blues and the intense greens of
springtime coupled with the constant turning up of pipe bowls, rusty
things and ever warring plastic soldiers from the vegetable and
flower gardens are equally mesmerizing.
Jane
Waterous also works regularly with the ‘irregularcircle’, which
is a workshops run by three artist in the Cambridge area, which helps
adults and children to explore their creativity side using drawing,
mixed media and three dimensional art workshops.
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